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Ergonomics fuels unique guitar business

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Kevin Fuller

Greg Bogoshian, owner of RockBeach Guitars, builds custom guitars out of his Irondequoit basement. He has been making the guitars for local and national musicians for several years.

  

Yellow Pages

By Amanda Seef, staff writer
Posted Jun 01, 2010 @ 12:31 PM
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Combining art with ergonomics, Greg Bogoshian designs and crafts custom-made guitars in his Irondequoit home.

Bogoshian, a 37-year veteran at Xerox, works in engineering design. His career and love for music has helped him create Rock Beach Guitars, the custom-making company he operates out of his basement workshop.

“I’m one of those that have a gut instinct of what makes things tick,” he said. “Sure enough, it seems like every guitar I’ve built has had so much character.”

Bogoshian uses unique woods, traveling across the state to choose different grains and types of woods. He was never a woodworker, but after stopping into Pittsford Lumber he saw a piece of African Padauk — a red straight grain specific to central and West Africa.

“I thought to myself, ‘I’ve got to do something with this,’” he said.

He bought one piece — one inch thick, six inches wide and three feet long — and knew this would be a part of his first guitar.

He created prototypes of the chambered body guitar, working with simple plywood to create the demo. After perfecting the dimensions, and adding in specialized features, he created the first guitar with a purchased neck.

“I’ll be darned if the thing didn’t sound really cool,” he said. “This was all new to me. That thing sounded so cool, and it did what I wanted it to do.”

Bogoshian tweaked the typical guitar design, creating a body that will aid those that may have back or shoulder problems, like himself. He has had four shoulder and two back surgeries, which push him into pain when playing a store-bought guitar. The curves in his guitar are made to be able to sit evenly on a person’s lap.

“You should never have to battle the guitar,” he said.

Buttons on the bottom of the guitar not only serve as shoulder strap buttons, but also as a way to hold the guitar straight up when leaned against a wall or furniture. The chambered body and different, exotic woods create a lightweight instrument.

“I want to keep them light, because I want to keep them comfortable,” he said.

Other features that separate Bogoshian’s guitars from store-bought instrument include the output jack: It’s located in a protected position, in order to keep the cord from pulling out if stepped on.

Bogoshian has been making more guitars using different-colored, grained and exotic woods.
Cuban Mahogany — “the cream of the crop,” according to Bogoshian — is another wood used often for Rock Beach Guitars, working the dense Caribbean wood into chambered, or hollowed, guitars. Kelela — an exotic, South Pacific wood — is lightweight and can be used for solid body guitars.

Combining art with ergonomics, Greg Bogoshian designs and crafts custom-made guitars in his Irondequoit home.

Bogoshian, a 37-year veteran at Xerox, works in engineering design. His career and love for music has helped him create Rock Beach Guitars, the custom-making company he operates out of his basement workshop.

“I’m one of those that have a gut instinct of what makes things tick,” he said. “Sure enough, it seems like every guitar I’ve built has had so much character.”

Bogoshian uses unique woods, traveling across the state to choose different grains and types of woods. He was never a woodworker, but after stopping into Pittsford Lumber he saw a piece of African Padauk — a red straight grain specific to central and West Africa.

“I thought to myself, ‘I’ve got to do something with this,’” he said.

He bought one piece — one inch thick, six inches wide and three feet long — and knew this would be a part of his first guitar.

He created prototypes of the chambered body guitar, working with simple plywood to create the demo. After perfecting the dimensions, and adding in specialized features, he created the first guitar with a purchased neck.

“I’ll be darned if the thing didn’t sound really cool,” he said. “This was all new to me. That thing sounded so cool, and it did what I wanted it to do.”

Bogoshian tweaked the typical guitar design, creating a body that will aid those that may have back or shoulder problems, like himself. He has had four shoulder and two back surgeries, which push him into pain when playing a store-bought guitar. The curves in his guitar are made to be able to sit evenly on a person’s lap.

“You should never have to battle the guitar,” he said.

Buttons on the bottom of the guitar not only serve as shoulder strap buttons, but also as a way to hold the guitar straight up when leaned against a wall or furniture. The chambered body and different, exotic woods create a lightweight instrument.

“I want to keep them light, because I want to keep them comfortable,” he said.

Other features that separate Bogoshian’s guitars from store-bought instrument include the output jack: It’s located in a protected position, in order to keep the cord from pulling out if stepped on.

Bogoshian has been making more guitars using different-colored, grained and exotic woods.
Cuban Mahogany — “the cream of the crop,” according to Bogoshian — is another wood used often for Rock Beach Guitars, working the dense Caribbean wood into chambered, or hollowed, guitars. Kelela — an exotic, South Pacific wood — is lightweight and can be used for solid body guitars.

“I’m possibly, the only one that uses it (for guitars),” Bogoshian said. “Different woods create more complex tones.”

Crafting the guitars is done in his Rock Beach Road home, but some of the woodwork is partnered with a friend, who has a CNC (computer numerical control) router. The router helps recreate the correct dimensions for each guitar, making sure the prototype and completed guitar have the same dimensions.

What holds the guitars together is also a little different — no glue holds any piece in place. The CNC router helps bring in accurate dimensions to the wood, so accurate that the neck of the guitar will fit perfectly into the opening in the body of the guitar — no glue necessary. Bogoshian says the lack of the sticky substance also helps keep sound and energy consistent, with a decent transfer of energy without the glue changing the sound.

“These are things I figure out because of how my brain functions,” he said. “These things don’t happen by accident, but that’s how a design engineer things. I re-engineered guitars. There’s nothing wrong with what’s out there now, but there’s so much of it, it’s time for an alternative.”

Each guitar he makes is a little different, custom-made for those who order them on his Web site.
He also sets up at guitar shows to showcase the ergonomic instruments.

“The general feel for the instruments has been great,” he said. “I know I have a great product.”

Bogoshian has been working with local guitar-makers and music stores in an attempt to get his product into a store, but for now, he’s sticking to the Internet and trade shows.

“I’m not trying to become the next Fender or Gibson or anything like that, but what I am doing is trying to provide an alternative to what’s out there,” he said.

The design engineer-turned-woodworker hopes the guitar business, something he’s grown passionate for, will help settle him down for a retirement of making not only music, but guitars as well.

“It’s a labor of love,” he said.

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